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We’re on the threshold of a season full of music. It’s memorable, enjoyable, catchy, and even sentimental music. Holiday music is already out there on the radio and in stores, and in the days ahead we’ll hear it in our cars, at concerts, at home, at holiday parties, even from the loud speaker above the gas pump. It will be everywhere including in the church. Music is integral to how we worship every time we gather, and for a few weeks at the end of each year, we too sing holiday music. I like that in the weeks ahead the world will join in with us in singing. I pray it will help counter all the discordant language and disharmony in the world, all the racist tirades, sectarian divisiveness, crude and caustic language filling the air.
As the world sings with us, it will be in some unlikely ways. A Car radio plays Away in a Manger and a person who hasn’t darkened the door of a church for decades sing along at a stop light and remembers better days. A shopper hears Silent Night and hums along remembering the Christmas eves of his childhood. A parent hears Hark the Herald Angels Sing and focuses on “mild he lays is glory by, born that we no more may die,” and remembers son daughter serving in Iraq.
Christians have always sung. The first Christians sang the psalms. As people answered God’s call to write sacred music beyond the psalms, it too was included in worship. Every generation has written music for the church to sing, and some of it will be part of our Advent and Christmas services in the weeks ahead.
I know we all have our preferences for certain sacred music. Like all music, it too is very subjective. I might prefer one song over another, and you might like a song that another person doesn’t. That’s the way God made us. We were created with preferences. Susanne reminds me this time of year that I am quick to comment on the music of the season. Since so much of our musical taste is subjective, is there some objective test we can apply to the music of the season that steps us away from personal preference? See if you think this exchange between Pilate and Jesus helps answer that question.
After Jesus had been arrested and before he was crucified, he was brought to Pilate, the Roman governor of Judea. Pilate alone had the authority to order Jesus’ execution and so he met Jesus to find out his so-called crime. “What have you done? Are you a king?” He asked. Jesus answers, “My kingdom is not of this earth. For this I was born and for this I came into the world: to testify to the truth.” Pilate responded, “What is truth?” Jesus himself is the answer to that question. Jesus is the truth. He is the visible expression of the truth of God’s love for the world. His death and resurrection are the greatest expression of that love. Pilate asked him, “What is truth?” Jesus, standing before his, was the answer to his question made visible.
I hear in this conversation between Jesus and Pilate an objective test for sacred music. Is sacred music objectively good when it bears witness to the truth? Preference, style, and genre are not part of this answer. Music is good when it helps us announce the truth of God’s love for the world in Jesus Christ. Isn’t that the measure of its worth?
Style, composition, instruments, harmonies, melodies have all changed in the long history of the church, but what has stayed constant is its ability to announce the truth of God’s love.
Imagine it’s 55AD, and we’re in a small city in Greece. People are gathering at the home of a Gentile who used to worship pagan gods like Hermes and Diana, but has become a Christian. It’s Friday and both Jews and Gentiles are arriving for worship. These are the members of the church in that city. Their time together that evening will include prayer, songs of praise, and hearing God’s word told to them. There is no New Testament—it hasn’t been written yet. They read from the Hebrew Scriptures, and they share a holy meal. They come from every walk of life: laborers, city officials, former prostitutes, destitute widows, a glass blower, a baker, a blind person, a soldier, free citizens, and household servants. Wealthier members bring milk, cheese, olives, fish, bread, grapes, and wine. It will be shared later from a table. The Spirit is active in this group, and they chant as they read the psalms and retell the events of Jesus’ life. Their singing would sound strange to us but it announces the truth of God’s love for the world in Jesus Christ. (This section incorporates material from Brian Wren’s volume, Congregational Song.)
Now imagine it’s the year 1451 in Northern Germany. It’s the last Sunday in November in a great gothic cathedral that is visible for miles. Inside the cathedral high-arched windows flood the space with colorful light. Tapestries in the cathedral depict scenes from the Bible. A priest at the front of the church lifts the communion elements and a thousand pairs of eyes watch this act unfold. A choir sings in Latin and the people watch in total amazement. As the music fills the cathedral, it announces the truth of God’s love for the world in Jesus Christ.
Now imagine Geneva, Switzerland in 1558. It’s a Sunday morning in this city of thirteen thousand. Worship is led by John Calvin in a plain and undecorated Cathedral. The service is simple: prayers, readings, preaching, and, of course, singing. Calvin knows that singing by people of faith is an ancient practice and must be done with songs that tell the truth of the gospel. The words for such songs come from the Psalms. No instruments accompany the voices singing in French.
Imagine it’s 1659 in Berlin. It is Christmas morning in the St. Nicholas Lutheran Church. The Lutherans have a rich musical tradition. Paul Gerhardt, is a member of the church, and a noted hymn writer of his day. He collaborates with a composer in the church. Unlike the Calvinists in Geneva, there is a full orchestra in the church as well as two choirs, a boys choir and a mixed voice choir. A dozen anthems that tell the truth of God’s love in Jesus Christ will be included in their Christmas day pageant. New music is treasured by these Lutherans because they believe the Bible calls them to sing a new song.
New England, 1742. Jonathan Edwards is the pastor of the Congregational Church of Northampton, Massachusetts. The building is plain, the pulpit is central, and clear glass windows let in grey November sunlight. The church has purchased copies of the songbook, Hymns and Spiritual Songs by Isaac Watts. This is a big step for this church which has to date sung only psalms. One of the hymns they sing that morning is Isaac Watts’ new hymns: When I Survey the Wondrous Cross on which the Prince of Glory Died, my richest gain I count but loss, and pour contempt on all my pride.
South Carolina, 1862. African slaves gather for worship in a wooden house on a plantation. They arrive tired. Their meeting begins with song and prayer. “Some are hurting” the pastor says, “Some are burdened.” The congregation responds, “Yes, Lord!” When the sermon ends, the benches are pushed against the walls and someone begins singing a spiritual. They are not allowed to dance so they sway. Drums are not permitted, so they clap, slap their knees, and stomp. They believe that because the Spirit moves, so they must move, too. Their song announces the God’s love for the world in Jesus Christ. And now Pisgah Church, 2006. We gather for worship service on a Sunday of Thanksgiving weekend. While the music of the Christmas Season has already started playing around us, we sing of the reign of Christ over everything including all music. Most of the songs we sing are recent when compared to how long Christians have been gathering and singing.
In twenty centuries of Christian music, can you imagine how diverse that music and worship has been? I see a sign of hope here. I see in this collage of people and places and centuries a sign of hope that as the singing goes on, the church continues to tell the truth in song.
In the weeks ahead many in this world will join with us in the songs we sing, and with us announce the truth of God’s love in Jesus Christ in song. We have an opportunity to show the world the truth of what they are singing by how we live our lives. Show them how deep that truth runs in us. Show them that the one who is the Alpha and the Omega, the beginning and the end, reigns in this place of grace, in our lives, and in the world. And thanks be to God. Amen.